Yishu典藏国际版 [第92期]:The Eighth Yishu Awards for Critical Writing on Contemporary Chinese Art: Kao Chien-Hui and Shao Yiyang

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并列题名:Yishu: Journal of Contemporary Chinese Art

作者:Yishu Office编辑

出版年:2019.05-06

出版社:典藏杂志社

出版地:台北市

最新发刊 : 20190501

杂志类型 : 双月刊



杂志简介: 杂志的名称 YISHU 直接取自中文艺术之音译,是第一份当代华人艺术英文季刊。探讨全球化环境中华人艺术的现状与前景﹔介绍国际学术界对华人艺术的最新论述和研究﹔提供中外学者﹑艺术家之间相互交流对话的的平台﹔为当代华人艺开拓术深广发展的国际空间舞台。

本期内容简介

The Eighth Yishu Awards for Critical Writing on Contemporary Chinese Art: Kao Chien-Hui and Shao Yiyang

Reviews: 12th Shanghai Biennale, 11th Taipei Biennial

Situating the Animal “Other” in Contemporary Chinese Art

Conversations: Christopher K. Ho, Birdhead

杂志简介
 
《典藏国际版》为全球第一本专注于中国当代艺术和文化的英文杂志,自2002年5月创刊以来,经过十年的努力,终成为艺术和学术领域最令人注目的期刊之一。如今它出现在诸多国家的大学、美术馆和图书馆中,为中外学者提供了跨文化对话沟通的一个重要平台。
 
About Yishu
 
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
 
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.

  • 编者手记(p.2)
  • 作者小传(p.4)
  • 第八届Yishu当代中国艺术批评奖(p.6)
  • 无尽的社会风景(p.9)
  • 低限的后自然美学之发声-从游戏的心灵,看空气草的振动之力(p.22)
  • 2018年台北双年展共同策展人 吴玛俐访谈(p.33)
  • 「后」的意义(p.45)
  • 循环与回归:评第12届上海双年展「禹步」(p.50)
  • 当代中国艺术中动物「它者」的再定位(p.63)
  • 太平洋上空的飞机:与何恩怀对话(p.83)
  • 关于风车和藏宝图:和「鸟头」的对话(p.95)
  • 中英人名对照(p.107)